An Experimentation Criticism Study For The Aesthetics Of Creativity Interpretation From The Perspective Of The Critical Theory pioneers “Jean Dark” in four theatrical texts

In four previous researches, the researcher studied the thought of the pioneers of The Critical Theory, in the fields of arts and humanities, which they studied, analysis and criticized; and according to what was confirmed in the “experimental” research: “the value of theory is determined by its relationship with practice”; the researcher evaluates her previous researches, applying them in this fifth one, on four dramatic treatments on the historical story of “Jean Dark” for: “Frederick Schiller”, “Bertolt Brecht”, “George Bernard Shaw” and “Jean Anoui”.
This analytical study comes in line with the call in which the pioneers of The Critical Theory met the call of “Heidegger”, the last one which stablished on the idea that the study of human existence must be the starting point for the study of existence in general. For him, human existence is not isolated existence, but rather it existing in the world and with things and others.
According to all the above, the general method of this research is based on the advice formulated by “Marcuse” for everyone who decides to deal with The Critical Theory: It is the responsibility of the vector of The Critical Theory, more than before, to explain the totality of human and his world within the framework of his social existence. Therefore, the researcher chose the story of “Jean Dark” specifically, because she found a special critical practice joy in applying all of the previous basics on it, on the one hand as a historical story about human struggle, on the other hand as dramatic treatments to the historical story in different historical eras, created by creators whose ingenuity was attested by critics from different eras. Thus, these applications will enhance the proof of the Space-Time and Interstitial of The Critical Theory thought.